Wuthering Heights

A Note on This Edition

With respect for the original work, Wuthering Heights, by Emily Brontë, has been prepared for the contemporary reader. Its spelling and punctuation follow present-day American usage, and a handful of genuinely archaic words and grammatical forms have been updated or briefly clarified. The author's own sentences, paragraph structure, and narrative voice are kept as written — long sentences stay long, the rhythm and the wording of the dialogue are the author's, not ours. The aim is simply to let the book read as naturally today as it once did in its own time. A note of caution: this book was written in a different era and may contain language, attitudes, or depictions that a modern reader could find dated or offensive. Such elements have been kept for historical and literary authenticity and do not reflect the views of the publisher; we ask that they be read with an understanding of the time and the context in which the work was originally created.

Edited for this edition by Nathaniel P. Ashcroft.

Aeneas Press · Gothic & Horror

From the Publisher

Emily Brontë lived a life as windswept and inwardly intense as the novel she left behind. Born in 1818, she grew up on the edge of the Yorkshire moors, a place of heather and harsh weather that became the soul of her single, staggering book. She died at thirty, never knowing that her strange, furious story would outlive her century. She matters because she dared to write not about drawing-room manners but about the raw, ungovernable forces beneath them—the kind of love that doesn’t uplift but annihilates.

Wuthering Heights is the record of that annihilation. It unfolds as a story within a story, told by a tenant who stumbles into a house where the past is still breathing. At its center is the bond between Heathcliff and Catherine, a connection that refuses to be civilized, and the devastation that follows when the world demands it be broken. Today, the novel resonates not as a romance but as a dark psychological study of trauma, obsession, and how cruelty echoes through families. It asks what happens when a person is denied both love and dignity—and what they might burn down in response.

This edition brings you Brontë’s original vision with language gently refreshed for the modern eye. The wild poetry of her prose, the brutal honesty of her characters, and the eerie atmosphere of the Heights remain untouched. You’ll encounter the same jagged edges and moral shadows that shocked Victorian readers, now in a text that flows as naturally as a story told tonight by the fire. The voice is still unmistakably hers—fierce, strange, and unforgettable.

CHAPTER I

1801—I have just returned from a visit to my landlord—the solitary neighbor that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s[1] Heaven—and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed toward him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

“Mr. Heathcliff?” I said.

A nod was the answer.

“Mr. Lockwood, your new tenant, sir. I do myself the honor of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts—”

“Thrushcross Grange is my own, sir,” he interrupted, wincing. “I should not allow anyone to inconvenience me, if I could hinder it—walk in!”

The “walk in” was uttered with closed teeth, and expressed the sentiment, “Go to the Deuce!” even the gate over which he leant manifested no sympathizing movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.

When he saw my horse’s breast fairly pushing the barrier, he did put out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court,—“Joseph, take Mr. Lockwood’s horse; and bring up some wine.”

“Here we have the whole establishment of domestics, I suppose,” was the reflection suggested by this compound order. “No wonder the grass grows up between the flags, and cattle are the only hedge-cutters.”

Joseph was an elderly, nay, an old man, very old, perhaps, though hale and sinewy. “The Lord help us!” he soliloquized in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff’s dwelling. “Wuthering” being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind, blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date “1500,” and the name “Hareton Earnshaw.” I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium[2].

One step brought us into the family sitting room, without any introductory lobby or passage: they call it here “the house” pre-eminently. It includes kitchen and parlor, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-colored bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his armchair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gipsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose. Possibly, some people might suspect him of a degree of under-bred pride; I have a sympathetic chord within that tells me it is nothing of the sort: I know, by instinct, his reserve springs from an aversion to showy displays of feeling—to manifestations of mutual kindliness. He’ll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again. No, I’m running on too fast: I bestow my own attributes over-liberally on him. Mr. Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way when he meets a would-be acquaintance, to those which actuate me. Let me hope my constitution is almost peculiar: my dear mother used to say I should never have a comfortable home; and only last summer I proved myself perfectly unworthy of one.

While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I “never told my love” vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return—the sweetest of all imaginable looks. And what did I do? I confess it with shame—shrunk icily into myself, like a snail; at every glance retired colder and farther; till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp.

By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved, I alone can appreciate.

I took a seat at the end of the hearthstone opposite that toward which my landlord advanced, and filled up an interval of silence by attempting to caress the canine mother, who had left her nursery, and was sneaking wolfishly to the back of my legs, her lip curled up, and her white teeth watering for a snatch. My caress provoked a long, guttural gnarl.

“You’d better let the dog alone,” growled Mr. Heathcliff in unison, checking fiercer demonstrations with a punch of his foot. “She’s not accustomed to be spoiled—not kept for a pet.” Then, striding to a side door, he shouted again, “Joseph!”

Joseph mumbled indistinctly in the depths of the cellar, but gave no intimation of ascending; so his master dived down to him, leaving me vis-à-vis[3] the ruffianly bitch and a pair of grim shaggy sheep-dogs, who shared with her a jealous guardianship over all my movements. Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury and leaped on my knees. I flung her back, and hastened to interpose the table between us. This proceeding aroused the whole hive: half-a-dozen four-footed fiends, of various sizes and ages, issued from hidden dens to the common center. I felt my heels and coat-laps peculiar subjects of assault; and parrying off the larger combatants as effectually as I could with the poker, I was constrained to demand, aloud, assistance from some of the household in re-establishing peace.