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Aeneas Press edition Romantic First published 1815

Emma

by Jane Austen 1775–1817

The book, and the century it came out of.

Emma Woodhouse is handsome, clever, rich, and quite certain she knows what everyone else should want. Austen said she was taking on a heroine whom no one but herself would much like, and then wrote the funniest of her novels around her — a comedy in which every piece of matchmaking misfires because the matchmaker cannot read her own heart. The plot is a puzzle: every clue is on the page, and almost no reader spots them. Illustrated with 35 full-page plates — paintings by Constable and Reinagle among them.

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.
The first sentence of Emma
A note on this edition

Emma, by Jane Austen, complete and unabridged. Spelling and punctuation follow present-day American usage; the sentences, the paragraphs and the voice are the author’s, word for word.

It was written in another era and may carry attitudes a reader today will find dated. They are kept for the sake of the work and do not reflect the views of this house.

The edition
Format
Ebook
Extent
about 480 pages
Reading time
about 10 hours
Illustrations
Full-page plates, credited
Text
Complete, unabridged
Language
en
This edition
2026
ISBN
9785501714328
The plates

35 paintings are bound into this edition

Six of them are shown here, taken from the volume itself. Each is reproduced full page and named with its painter and year.

Salisbury Cathedral from the Bishop’s Grounds, John Constable
Salisbury Cathedral from the Bishop’s Grounds John Constable 1823
Landscape, William Traies
Landscape William Traies 1824
Horseman Resting near a Village Inn, Abraham van Strij
Horseman Resting near a Village Inn Abraham van Strij 1823
Interior with the artist at work and a view on the Église Saint-Eustache, Louise-Adéone Drölling
Interior with the artist at work and a view on the Église Saint-Eustache Louise-Adéone Drölling 1815
‘Matilda’, John Frederick Herring, Sr.
‘Matilda’ John Frederick Herring, Sr. 1824
The Thames with St Paul’s Cathedral, London, John Thomas Serres
The Thames with St Paul’s Cathedral, London John Thomas Serres 1825
The moment

England, 1815

Written and published in the year of Waterloo, and there is not a soldier in it. Twenty years of war with France had just ended, prices were about to collapse, and Austen wrote a novel in which the largest public event is a ball at the Crown Inn.

That is deliberate. The gentry of a village like Highbury lived through the war as a series of rumours and shortages, and the things that actually decided their lives — who inherited, who could afford to marry, who was received — went on exactly as before.

Afterwards

This book in culture: 10 versions

Most people meet a book like this one on a screen first. Here are 8 of them, the earliest and the most recent among them — and none of them is the book.

The whole afterlife of Emma — screen, stage and beyond →

  • 1948 Emma Michael Barry
  • 1960 Emma Campbell Logan TV series
  • 1996 Emma Douglas McGrath
  • 1996 Emma Diarmuid Lawrence TV film
  • 2009 Emma Jim O'Hanlon miniseries
  • 2010 Aisha Rajshree Ojha
  • Emma John Glenister TV series
  • Clueless KT Tunstall dramatico-musical work
The setting

A page from this edition

Not a mock-up: this page is taken from the finished volume. The ornament above the chapter belongs to its shelf and to no other, the opening letter is set as a drop capital, and the plate below carries the name of the painter and the year.

A page of Emma as set for this edition
The opening of a chapter
A page of Emma as set for this edition
A page where a plate falls

Both photographed from the finished volume.

Colophon

Emma, first published 1815, issued in this edition by Aeneas Press in 2026 on the Love & Society shelf. Newly set, with the ornament of its series above each chapter and a drop capital on the opening page. Illustrated with full-page plates, each named with its painter.

Published as an ebook and not issued in print by this house; it carries one ISBN, 9785501714328, and is supplied worldwide. This edition — its setting, its ornament, its cover art, and the selection and attribution of its plates — © 2026 Aeneas Press.

Before you buy

Questions readers ask

Is this the whole of Emma?
Yes — complete and unabridged. Nothing is cut, condensed or paraphrased. This is the book, not a summary of it.
What exactly did you change?
The spelling and the punctuation follow present-day American usage. Jane Austen's sentences are untouched — same words, same order, same rhythm.
Are the pictures really in the book?
Yes. The edition carries full-page plates bound into the text, each one named with its painter and the year it was made. Six of them are shown on this page.
How long is it?
About 480 pages, which is roughly about 10 hours of reading.
What do I actually get?
An illustrated ebook with its own ISBN, sold worldwide. One file, yours to keep, readable on any device.
If this one suits you
Emma
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