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Aeneas Press edition Victorian

Eugénie Grandet

by Honoré de Balzac 1799–1850

The book, and the century it came out of.

Translated by Katharine Prescott Wormeley

A miser in a provincial town has a fortune nobody suspects and a daughter whose whole inheritance he intends to keep from her; then a bankrupt cousin arrives from Paris with good manners. Balzac wrote it in 1833 and made cheeseparing into tragedy: every candle counted, every sou hoarded, and a life spent in one room. Illustrated with 47 full-page plates — paintings by Haudebourt-Lescot, Legrand and Mallet among them.

May your name, that of one whose portrait is the noblest ornament of this work, lie on its opening pages like a branch of sacred box, taken from an unknown tree, but sanctified by religion, and kept ever fresh and green by pious hands to bless the house.
The first sentence of Eugénie Grandet
A note on this edition

Eugénie Grandet, by Honoré de Balzac, complete and unabridged. Spelling and punctuation follow present-day American usage; the sentences, the paragraphs and the voice are the author’s, word for word.

It was written in another era and may carry attitudes a reader today will find dated. They are kept for the sake of the work and do not reflect the views of this house.

The edition
Format
Ebook
Extent
about 192 pages
Reading time
about 4 hours
Illustrations
Full-page plates, credited
Text
Complete, unabridged
Translation
Katharine Prescott Wormeley
Language
en
This edition
2026
ISBN
9785501195165
The plates

47 paintings are bound into this edition

Six of them are shown here, taken from the volume itself. Each is reproduced full page and named with its painter and year.

Intérieur de cuisine, Jenny Legrand
Intérieur de cuisine Jenny Legrand 1814
La leçon de musique, Marguerite Gérard
La leçon de musique Marguerite Gérard 1809
The Happy Mother, Constance Mayer
The Happy Mother Constance Mayer 1810
The Arrival of the Stagecoach, Louis-Léopold Boilly
The Arrival of the Stagecoach Louis-Léopold Boilly 1803
The Cotton Mill, House, and Wharf of Richard-Lenoir at Chantilly, Charles Thévenin
The Cotton Mill, House, and Wharf of Richard-Lenoir at Chantilly Charles Thévenin 1809
View of a stone quarry in Bellevillé, Abraham Teerlink
View of a stone quarry in Bellevillé Abraham Teerlink 1808
The setting

A page from this edition

Not a mock-up: this page is taken from the finished volume. The ornament above the chapter belongs to its shelf and to no other, the opening letter is set as a drop capital, and the plate below carries the name of the painter and the year.

A page of Eugénie Grandet as set for this edition
The opening of a chapter
A page of Eugénie Grandet as set for this edition
A page where a plate falls

Both photographed from the finished volume.

Colophon

Eugénie Grandet, issued in this edition by Aeneas Press in 2026 on the Salon & Steppe shelf. Newly set, with the ornament of its series above each chapter and a drop capital on the opening page. Illustrated with full-page plates, each named with its painter.

Published as an ebook and not issued in print by this house; it carries one ISBN, 9785501195165, and is supplied worldwide. This edition — its setting, its ornament, its cover art, and the selection and attribution of its plates — © 2026 Aeneas Press.

Before you buy

Questions readers ask

Is this the whole of Eugénie Grandet?
Yes — complete and unabridged. Nothing is cut, condensed or paraphrased. This is the book, not a summary of it.
What exactly did you change?
The spelling and the punctuation follow present-day American usage. Honoré de Balzac's sentences are untouched — same words, same order, same rhythm.
Are the pictures really in the book?
Yes. The edition carries full-page plates bound into the text, each one named with its painter and the year it was made. Six of them are shown on this page.
How long is it?
About 192 pages, which is roughly about 4 hours of reading.
What do I actually get?
An illustrated ebook with its own ISBN, sold worldwide. One file, yours to keep, readable on any device.
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Eugénie Grandet
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