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Aeneas Press edition Victorian

Bel Ami

Or, The History of a Scoundrel: A Novel

by Guy de Maupassant 1850–1893

The book, and the century it came out of.

A penniless cavalry veteran with a good moustache is given a job on a Paris newspaper, and discovers that every rung of the ladder above him is a woman. Maupassant was trained by Flaubert, who made him rewrite for seven years before letting him publish, and he wrote this in the middle of the press-and-politics world he was watching from inside. Nothing in it punishes the scoundrel. Illustrated with 59 full-page plates — paintings by Degas, Carpeaux and de Toulouse-Lautrec among them.

After changing his five-franc piece[1] Georges Duroy left the restaurant.
The first sentence of Bel Ami
A note on this edition

Bel Ami, by Guy de Maupassant, complete and unabridged. Spelling and punctuation follow present-day American usage; the sentences, the paragraphs and the voice are the author’s, word for word.

It was written in another era and may carry attitudes a reader today will find dated. They are kept for the sake of the work and do not reflect the views of this house.

The edition
Format
Ebook
Extent
about 152 pages
Reading time
about 3 hours
Illustrations
Full-page plates, credited
Text
Complete, unabridged
Language
en
This edition
2026
ISBN
9785501319714
The plates

59 paintings are bound into this edition

Six of them are shown here, taken from the volume itself. Each is reproduced full page and named with its painter and year.

Place de la Concorde, Edgar Degas
Place de la Concorde Edgar Degas 1875
Portrait of Henri Rochefort, Édouard Manet
Portrait of Henri Rochefort Édouard Manet 1881
Fermes normandes, Théodore Rousseau
Fermes normandes Théodore Rousseau 1867
Recollection of Mortefontaine, Jean-Baptiste Camille Corot
Recollection of Mortefontaine Jean-Baptiste Camille Corot 1864
Summer Sunset, Théodore Rousseau
Summer Sunset Théodore Rousseau 1866
Arab Riders Stop in the Forest, Eugène Fromentin
Arab Riders Stop in the Forest Eugène Fromentin 1868
The moment

Paris, 1885 — the press as a business

Maupassant had worked as a journalist for a decade and knew exactly how a Paris newspaper was financed: by the people who needed a particular story told a particular way, usually about a colonial expedition somebody was speculating on. The novel’s Morocco affair is a lightly fictionalised version of a real Tunisian one.

He was also the most commercially successful writer in France, dying of syphilis at forty-two, and he wrote this portrait of a beautiful, stupid, entirely successful man with no illusions about the world that rewarded him.

The setting

A page from this edition

Not a mock-up: this page is taken from the finished volume. The ornament above the chapter belongs to its shelf and to no other, the opening letter is set as a drop capital, and the plate below carries the name of the painter and the year.

A page of Bel Ami as set for this edition
The opening of a chapter
A page of Bel Ami as set for this edition
A page where a plate falls

Both photographed from the finished volume.

Colophon

Bel Ami, issued in this edition by Aeneas Press in 2026 on the Salon & Steppe shelf. Newly set, with the ornament of its series above each chapter and a drop capital on the opening page. Illustrated with full-page plates, each named with its painter.

Published as an ebook and not issued in print by this house; it carries one ISBN, 9785501319714, and is supplied worldwide. This edition — its setting, its ornament, its cover art, and the selection and attribution of its plates — © 2026 Aeneas Press.

Before you buy

Questions readers ask

Is this the whole of Bel Ami?
Yes — complete and unabridged. Nothing is cut, condensed or paraphrased. This is the book, not a summary of it.
What exactly did you change?
The spelling and the punctuation follow present-day American usage. Guy de Maupassant's sentences are untouched — same words, same order, same rhythm.
Are the pictures really in the book?
Yes. The edition carries full-page plates bound into the text, each one named with its painter and the year it was made. Six of them are shown on this page.
How long is it?
About 152 pages, which is roughly about 3 hours of reading.
What do I actually get?
An illustrated ebook with its own ISBN, sold worldwide. One file, yours to keep, readable on any device.
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Bel Ami
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