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The Burial of the Guns — cover
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Aeneas Press edition Victorian

The Burial of the Guns

by Thomas Nelson Page 1853–1922

The book, and the century it came out of.

A Confederate battery, cut off at the end of the war and with no army left to surrender to, takes its guns up a mountain and buries them. Around that: Virginia after Appomattox, old soldiers, mortgaged land, and the world that ended. Page was born on a Virginia plantation and became the most popular voice of the Old South’s afterlife; the title story is the best thing he wrote, and the sentiment elsewhere in his work is worth reading with your eyes open. Illustrated with 51 full-page plates — paintings by Clague, Duncanson and Church among them.

We do not keep Christmas now as we used to do in old Hanover.
The first sentence of The Burial of the Guns
A note on this edition

The Burial of the Guns, by Thomas Nelson Page, complete and unabridged. Spelling and punctuation follow present-day American usage; the sentences, the paragraphs and the voice are the author’s, word for word.

It was written in another era and may carry attitudes a reader today will find dated. They are kept for the sake of the work and do not reflect the views of this house.

The edition
Format
Ebook
Extent
about 160 pages
Reading time
about 3 hours
Illustrations
Full-page plates, credited
Text
Complete, unabridged
Language
en
This edition
2026
ISBN
9785486215346
The plates

51 paintings are bound into this edition

Six of them are shown here, taken from the volume itself. Each is reproduced full page and named with its painter and year.

Farm in St Tammany, Richard Clague
Farm in St Tammany Richard Clague 1851
Beacon, off Mount Desert Island, Frederic Edwin Church
Beacon, off Mount Desert Island Frederic Edwin Church 1851
Two Galloping Riders, Franz Krüger
Two Galloping Riders Franz Krüger 1851
Cottage in Halland, Kilian Zoll
Cottage in Halland Kilian Zoll 1850
Chien couché, Alexandre-Gabriel Decamps
Chien couché Alexandre-Gabriel Decamps 1850
Décembre ; Le carrefour de l’épine, forêt de Fontainebleau, Ferdinand Chaigneau
Décembre ; Le carrefour de l’épine, forêt de Fontainebleau Ferdinand Chaigneau 1851
The setting

A page from this edition

Not a mock-up: this page is taken from the finished volume. The ornament above the chapter belongs to its shelf and to no other, the opening letter is set as a drop capital, and the plate below carries the name of the painter and the year.

A page of The Burial of the Guns as set for this edition
The opening of a chapter
A page of The Burial of the Guns as set for this edition
A page where a plate falls

Both photographed from the finished volume.

Colophon

The Burial of the Guns, issued in this edition by Aeneas Press in 2026 on the Literary Classics shelf. Newly set, with the ornament of its series above each chapter and a drop capital on the opening page. Illustrated with full-page plates, each named with its painter.

Published as an ebook and not issued in print by this house; it carries one ISBN, 9785486215346, and is supplied worldwide. This edition — its setting, its ornament, its cover art, and the selection and attribution of its plates — © 2026 Aeneas Press.

Before you buy

Questions readers ask

Is this the whole of The Burial of the Guns?
Yes — complete and unabridged. Nothing is cut, condensed or paraphrased. This is the book, not a summary of it.
What exactly did you change?
The spelling and the punctuation follow present-day American usage. Thomas Nelson Page's sentences are untouched — same words, same order, same rhythm.
Are the pictures really in the book?
Yes. The edition carries full-page plates bound into the text, each one named with its painter and the year it was made. Six of them are shown on this page.
How long is it?
About 160 pages, which is roughly about 3 hours of reading.
What do I actually get?
An illustrated ebook with its own ISBN, sold worldwide. One file, yours to keep, readable on any device.
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The Burial of the Guns
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