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Aeneas Press edition Victorian

The British Barbarians

by Grant Allen 1848–1899

The book, and the century it came out of.

An anthropologist from the twenty-fifth century arrives in a London suburb to study the taboos of the natives — money, marriage, property, rank — and reports on them exactly as an Englishman would report on Polynesians. Allen wrote popular Darwinism for a living and detonated a scandal with The Woman Who Did; this 1895 satire got him attacked from the same pulpits, and the joke has not blunted at all. Illustrated with 60 full-page plates — paintings by Orchardson, Millais and Waldmüller among them.

Which every reader of this book is requested to read before beginning the story.
The first sentence of The British Barbarians
A note on this edition

The British Barbarians, by Grant Allen, complete and unabridged. Spelling and punctuation follow present-day American usage; the sentences, the paragraphs and the voice are the author’s, word for word.

It was written in another era and may carry attitudes a reader today will find dated. They are kept for the sake of the work and do not reflect the views of this house.

The edition
Format
Ebook
Extent
about 112 pages
Reading time
about 2 hours
Illustrations
Full-page plates, credited
Text
Complete, unabridged
Language
en
This edition
2026
ISBN
9785501811225
The plates

60 paintings are bound into this edition

Six of them are shown here, taken from the volume itself. Each is reproduced full page and named with its painter and year.

Mariage de Convenance, William Quiller Orchardson
Mariage de Convenance William Quiller Orchardson 1886
Femme Lisant, Jean-Baptiste Camille Corot
Femme Lisant Jean-Baptiste Camille Corot 1869
View of a Path and Meadows with Sheep, Warner Gijselman
View of a Path and Meadows with Sheep Warner Gijselman 1854
Autumn: The Woodland Pond, Narcisse Virgilio Díaz
Autumn: The Woodland Pond Narcisse Virgilio Díaz 1867
The Bridge and Dam at Pontoise (Le Pont et le déversoir à Pontoise), Paul Cézanne
The Bridge and Dam at Pontoise (Le Pont et le déversoir à Pontoise) Paul Cézanne 1881
Afternoon in Autumn, Ludvig Munthe
Afternoon in Autumn Ludvig Munthe 1882
The setting

A page from this edition

Not a mock-up: this page is taken from the finished volume. The ornament above the chapter belongs to its shelf and to no other, the opening letter is set as a drop capital, and the plate below carries the name of the painter and the year.

A page of The British Barbarians as set for this edition
The opening of a chapter
A page of The British Barbarians as set for this edition
A page where a plate falls

Both photographed from the finished volume.

Colophon

The British Barbarians, issued in this edition by Aeneas Press in 2026 on the Science Fiction shelf. Newly set, with the ornament of its series above each chapter and a drop capital on the opening page. Illustrated with full-page plates, each named with its painter.

Published as an ebook and not issued in print by this house; it carries one ISBN, 9785501811225, and is supplied worldwide. This edition — its setting, its ornament, its cover art, and the selection and attribution of its plates — © 2026 Aeneas Press.

Before you buy

Questions readers ask

Is this the whole of The British Barbarians?
Yes — complete and unabridged. Nothing is cut, condensed or paraphrased. This is the book, not a summary of it.
What exactly did you change?
The spelling and the punctuation follow present-day American usage. Grant Allen's sentences are untouched — same words, same order, same rhythm.
Are the pictures really in the book?
Yes. The edition carries full-page plates bound into the text, each one named with its painter and the year it was made. Six of them are shown on this page.
How long is it?
About 112 pages, which is roughly about 2 hours of reading.
What do I actually get?
An illustrated ebook with its own ISBN, sold worldwide. One file, yours to keep, readable on any device.
If this one suits you
The British Barbarians
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